Carole Debenath — Effigy 4DGS demonstration
Feathers, reflective beads, hair and smoke: a moving-performance stress test for Effigy and Gracia.
Open project record ↗- Capture operator
- Effigy 3D
- Processing
- Gracia / MINT
- Published
- 2026
Materials that challenge reconstruction
Carole Debenath performed in cabaret costumes at Effigy’s studio. The operator describes moving feathers, transparent elements, reflective beads, hair and smoke as deliberate challenges for the capture process.
Capture and processing have separate credits
Effigy reports 50 genlocked 4K cameras for this studio context. Gracia aligned and encoded the video into MINT for delivery to real-time environments. These are capture and processing roles in the same documented work.
Output is not camera recording speed
The operator describes animated-volume viewing at 60 fps. That is an output/viewing statement; it does not establish the native synchronized recording FPS of the cameras. The publication date is not a confirmed filming day.
See the capture.
Watch the project video ↗Explore the systems.
Effigy Paris / 50-camera modular 4DGS rigEffigy 50-camera capture; exact filming date and native mode unpublished↗Sources & evidence limits 3 references
Capture, development, publication and film release are distinct dates. A rig variant is not additional simultaneous capacity. Reviewed 2026-10-28.
- effigy-3d.com ↗https://effigy-3d.com/tourner-en-4dgsle-gaussian-splattingde-la-video/
- linkedin.com ↗https://www.linkedin.com/posts/gracia-ai_meet-our-capture-partnereffigy-3d-a-volumetric-activity-7458119713873817601-UjRE
- youtube.com ↗https://www.youtube.com/watch?v=74yXCmxIQMA